Christopher Acebo

Associate Artistic Director

Christopher Acebo

Scenic Designer, A Wrinkle in Time, The Great Society

In eight seasons at OSF: Scenic design, A Streetcar Named Desire; King Lear; Seagull; The Very Merry Wives of Windsor, Iowa; All the Way; The Imaginary Invalid; The Language Archive; Love’s Labor’s Lost; Hamlet; Cat on a Hot Tin Roof; Throne of Blood; Equivocation; Dead Man’s Cell Phone; All’s Well That Ends Well; The Clay Cart; The Further Adventures of Hedda Gabler; Romeo and Juliet; The Two Gentlemen of Verona. Costume design, The Tenth Muse; The Imaginary Invalid; Othello. 

Other theatres: World premieres include Throne of Blood (Brooklyn Academy of Music); The Clean House (Yale Repertory Theatre); Zorro in Hell (Berkeley Repertory Theatre, La Jolla Playhouse); My Wandering Boy, The Further Adventures of Hedda Gabler, The Beard of Avon, Hold Please (South Coast Repertory); Living Out, Chavez Ravine, Breakfast, Lunch and Dinner (Mark Taper Forum); Electricidad (Goodman Theatre); also, Lincoln Center Theater, Guthrie Theater, Denver Center Theatre Company, Center Theatre Group, Kennedy Center, Missouri Repertory Theatre, Portland Center Stage, Pasadena Playhouse, The Children’s Theatre Company, among others. 

Other credits: Ensemble member, Cornerstone Theater Company. 

Teaching: Assistant professor, California State University, Los Angeles (2002–2007). 

Awards: NEA/TCG Fellow 1999–2001. 

Education: MFA, University of California, San Diego; BA, California Polytechnic State University, San Luis Obispo.