Daniel Ostling

Daniel Ostling

Scenic Designer, The White Snake

In two seasons at OSF: UP, Enter the Guardsman

Other theatres: Regional: The Verona Project (California Shakespeare); Once in a Lifetime, Homecoming (American Conservatory Theater); Candide (Goodman Theatre, The Shakespeare Theatre Company, Huntington Theatre Company); Amadeus (Alley Theatre), Ethan Frome (Lookingglass Theatre Company); Arabian Night (Arena Stage, Berkeley Repertory Theatre, Lookingglass Theatre Company); The How and the Why (McCarter Theatre Center); Becky Shaw (South Coast Repertory); Macbeth, Much Ado About Nothing (California Shakespeare Theater); Death of a Salesman (Dallas Theater Center); Tom Sawyer (Actors Theatre of Louisville, Hartford Stage); Lookingglass Alice (Actors Theatre of Louisville, Lookingglass Theatre Company, Broadway, McCarter Theatre Center). Opera: Sonnambula, Lucia di Lammermoor (Metropolitan Opera); Merry Widow (Lyric Opera of Chicago); Ainadmar (Tanglewood Music Festival, Los Angeles Philharmonic), Philip Glass' Galileo Galilei (Brooklyn Academy of Music, Barbican, Goodman Theatre). International: His work has been seen in London and Melbourne, Australia.

Other credits: Ensemble member of the Lookingglass Theatre Company and works extensively with Mary Zimmerman.

Directing: Jacques Brel Is Alive and Well and Living in Paris (Two Rivers Theater Company).

Teaching: Associate professor, Northwestern University.

Awards: Tony Award nomination, Best Scenic Design (Metamorphoses, Lookingglass Theatre Company).