Alan C. Edwards

Alan C. Edwards

Lighting Designer, Henry IV, Part Two

In one season at OSF: Fingersmith

Other theatres: Broadway: Associate lighting designer: The Testament of Mary. Off-Broadway: Son of a Gun (Theatre Row). Other New York: The First Noel, Macbeth, Fit for a Queen (The Classical Theatre of Harlem); Holding It Down (Harlem Stage); Illmatic (Urban Stages); Kill Move Paradise, Dead and Breathing, Carnaval (National Black Theatre); Dutchman (The Classical Theatre of Harlem and National Black Theatre). Regional: Chad Deity (Asolo Repertory Theatre); Twisted Melodies (Center Stage—Baltimore); We Are Proud to Present . . . (Guthrie Theater); The Mountaintop (Cleveland Play House); The Tempest, The Mountaintop, Stagger Lee (Dallas Theater Center); Constellations, Deathtrap,The Mystery of Irma Vep (Berkshire Theatre Group); The Piano Lesson, A Delicate Balance (Yale Repertory Theatre). 

Opera and Dance: Acis and Galatea (Madison Opera); Carmen, The Marriage of Figaro (Tri-Cities Opera); Suor Angelica, Curlew River (Simpson College Opera); Madam Butterfly (Syracuse Opera); Madiba (Black Iris Project, Jeremy McQueen, choreographer). 

Education: MFA, Yale School of Drama. 

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